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Meet talented musician, composer,
guitarist; Omran Shafique, a member of the band Mauj.
Having lived most of his life abroad, he decided to
move to Pakistan and pursue his creative interests in
music. Read on to learn more about his experiences,
current projects and future plans...
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PIC
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I’m a musician. Although I play a variety of instruments,
the guitar has always been my favorite. I play with
several different projects – Mauj, Kostal, co-VEN
– along with doing session work with guys like
Ali Azmat and Rohail Hyatt.
I was born in the Middle East, Bahrain to be
precise, and moved to Texas when I was 18. After 15
years I decided to move back to Pakistan to pursue music
as a career.
I’ve never lived in Pakistan actually. I used
to visit Pakistan during the summers and that’s
where I met a lot of the like-minded guys that I still
play with today. It was rare to find Pakistani guys
who were into the same sort of music as I was and thought
along similar lines. So I sought that out. Also, I’ve
always connected with the music scene in Pakistan. Even
from the Nazia Hasan days, I always thought the pop/rock
scene in Pakistan was interesting. I like the fact that
our culture and language was incorporated in a western
musical format. I’m not an eastern classical elitist
and, although I appreciate it, I like to mix it up with
English rock and Bollywood masala music.
I am a creative being and working in a cubicle in Corporate
America was not really for me. It sounded like a good
idea to get an album released here and play with my
old friends.
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Mauj started around 2001. It was basically me and Mohsin
Atif – the bass player and co-lyricist. There
were other guys who came and went but that was the core
unit. Once I moved to Pakistan, however, the line-up
changed. Atif couldn’t come to Pakistan so I started
jamming with my old friends. Sameer Ahmed plays bass,
Hamza Jafri plays guitar, and Sikandar Mufti plays drums
in the band. These are the same guys that I play in
another project with. Co-VEN is the same group of guys
but with a composer. Hamza is the main force behind
co-VEN and we follow his lead. In Mauj, I am the main
composer and the guys follow my lead. I think eventually
it will all be a jumbled mess.
I am the main composer, guitarist and singer.
I’m really not into singing that much –
I just try to get my point across and serve the music.
I come up with the concept of the song and then sit
with somebody to flesh out the urdu lyrics. My Urdu
is horrendous, so I need someone with a better poetic
sense to sit with me. That’s where Atif played
a big part on the Mauj album.
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It started with the intro lick. I had the music figured
out but we were stuck the words. Atif and I wrote some
forced and unnatural lyrics intially but it was just
not fitting right. We decided we wanted to have the
song be about someone confounded by mixed signals. A
guy who is puzzled. At some point, and I have a habit
of this, I was humming the melody out loud and the main
the chorus refrain popped into my head ‘wooh,
ranjha tere bin, youn tarpa raat aur din’. Soon
after, I convinced Atif to rewrite the lyrics around
this idea.
Co-VEN is the same group of guys as Mauj: Hamza,
Sameer, Sikandar and I, only with a different composer.
Hamza is the main force behind co-VEN and we follow
his lead. In Mauj, I am the main composer and the guys
follow my lead. I think eventually it will all be a
jumbled mess!
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It is always great to play with Ali, and quite
surreal at times. I grew up watching this guy and
Junoon, and there I am onstage with Brian and Ali
playing songs that I used to cover in Mauj. But the
shows went great and we all a blast – can’t
wait to play some more shows in the US!
There is immense talent here –
unfortunately, a lot of deserving people never get
the chance get noticed and a lot of undeserving people
are on TV way too much. The problem is, since the
80’s, there has not been any cultivation of
the arts in Pakistan. Since everyone has to eke out
an existence here – the music business side
of things are undeveloped. Everyone is fighting for
scraps that the big dogs leave behind. On top of that,
with the country in turmoil as it is, it’s unlikely
this environment is going to change any time soon.
I don’t think so, Pakistani artists are
sometimes so desperate to get to India they practically
give away their music and work for free. India may
appreciate our musicians and artists but it appreciates
the economics even more. Instead having to pay crores
to an Indian music director, they can get a Pakistani
artist to work for peanuts and thank them for it at
the same time.
I don’t think they appreciate our singers any
more than we do, but for some reason getting a song
released in an Indian movie earns you more respect
in Pakistan. I suppose it’s some sort of inferiority
complex in play.
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I will do this for as long as I can. I love to play
music, but things can get quite crazy and I can imagine
the day when I decide to pack it in for quieter pastures.
Why so serious?
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