|

 
|
Rendezvous |
| |
|
| |
|
Meet Shahvar Ali Khan, a newcomer in
Pakistan's music industry. Leaving his corporate career,
Shavar has embarked on a journey to do what he's always
wanted - create soulful music. His song No Saazish,
No Jang, has created much buzz not only in Pakistan
but across the border as well. Read on to learn more
about this talented singer, his inspirations and goals
in life...
Interview by Sadaf Fayyaz
|
IC |
| |
|
|
I have done Bachelors of Arts (Honors) in Economics
and International Studies from Trinity College, USA.
I am still a child, but to answer your question I am
a typical Lahorite. I did my schooling and high school
from USA.
I am trying to learn classical from Ustad Basharat
Hussain, athough I don’t think I would be able
to learn it in this lifetime. The more you get into
music, the more you realize that you know absolutely
nothing.
What was your family’s response when you started
music?
They encouraged me a lot since my parents themselves
are artists and NCA graduates. I would say that the
support has been unbounded and immense. The penchant
to do something ‘creative’ is to some extent
innate.
I aspire to be a “People’s” songwriter-singer
and hence believe in writing and singing peace anthems,
and concurrently, clichéd romantic songs that
can be sung around trees. In terms of lyrics my mentors
are Sahir Ludhianvi and Javed Akhtar who have given
us the best revolutionary and romantic stuff. As long
as my music emotionally resonates with the common man
on the road, I would be content. Frankly, I have not
been able to understand neither peace nor love up till
this point. I am in love with the very idea of falling
in love and romanticize about peace. Some people say
I have a sense of peace in my voice, but if I say anything
more than this, it would be deemed as too much of a
self-obsession, so let me stop here.
|
| |
|
I am still very much in the initial phase of my career.
Whatever little recognition that I have received from
both sides of the border has been purely based on word
of mouth and through the spread of the song No Saazish,
No Jang on social networking sites and some air play
on radio too. I thank all my friends for supporting
me. I guess the most difficult aspect of my struggle
has been giving up on a settled corporate secure career
(9 to 5 day job). I remember the day I gave back the
keys of my air conditioned company car and found myself
strolling on the road within seconds. Many felt that
I was wasting my education, my degree by throwing away
a secure career, but that is the trade-off required
to aspire for greener pastures.
I am not here to compete with anyone at all; I just
realize my own potential. I know that there are very
competent singers, lyricists and far better musicians
around, I just aspire to connect with my audience creatively.
As a student of consumer behavior, I try to understand
the pulse of our times. I want to position myself as
a combination of a songwriter-singer.
I love singing in Urdu, Punjabi and Hindi.
I try to practice every day. The day I don’t
practice, I can’t sing. I am not a very spontaneous
artist. Things have to be really planned and rehearsed
in my case to perform.
My inspiration in terms of singing comes from Hemant
Kumar, Muhammad Rafi, Geeta Dutt, Saleem Raza, Ahmed
Rushdie, Asha, Nayarra Noor, Guru Dutt, Prasoon Joshi,
Khurshid Anwar, O.P Nayar, Sohail Rana, Farida Khanum,
Iqbal Bano, Asha Bhosle, Geeta Dutt, Muhammad Rafi,
Manna Dey, Nusrat Fateh Ali Khan, Abida Parveen, Begum
Akhtar, Noor Jehan, Bade Ghulam Ali Khan, Amanat Ali
Khan, Salamat Ali Khan and Talat Mehmood, in terms of
lyrics, they are Sahir Ludhianvi and Javed Akhtar. I
am a big fan of retro South Asian Film Music too. Among
western musicians, I am inspired by John Denver, Little
Richard, Louis Armstrong, Norah Jones, Clapton, Beetles,
Sinatra and Bob Dylan.
|
|
| |
|
I have never played an instrument in my life. I compose
a melody after writing my lyrics intuitively through
singing and humming; by figuring out the scale on the
keyboard/harmonium/tanpura and letting the words find
the melody. I then develop an idea of the instrumental
mood I require for my melody and work with various musicians
and arrangers depending on the melody that I’ve
developed and the mood I want to inject in the song.
My dad used to make us listen to Raags on PTV when
we were kids. Slowly I was drawn towards that stuff,
since it is an acquired taste. At school singing became
a pastime; people were drawn to my voice I guess, that
was the only thing that made me distinctive from my
friends. I liked the attention. (Laughs)
Solo for now, but will surely have a house band especially
in terms of live performances. I have learnt a lot from
some extremely talented musicians in this short journey
and would love to collaborate with as many as possible.
They are Strings, Shafqat Amanat Ali, Atif Aslam, Ali
Zafar, Qasim Ali Naqvi, Syed Farhad Humayun, Qasim Mahmood,
Shahzad Hameed. In terms of music prodcution, I like
Rohail Hyatt. I also like Shantainu Moitra, Pritam,
Vishal-Shekhar, Shankar-Ehsaan-Loy, Salim-Sulemain,
Himesh Reshamiya, and Sajid-Wajid.
My motivation comes from immortality and my learning
comes from wisdom of seniors and the energy and innocence
of juniors.
My desire is to become Pakistan’s global peace
icon and a renowned songwriter-singer. My expectation
is to become a famous star.
I take criticism as a food. No artist can survive without
it. My best friends are my harshest critics.
Pyaar nahi hey ur se jisko, who murakh insaan nahi.
(The one who doesn’t love music, is not a human
being).
I am working with my Ustad Basharat Hussain, Shumair
Joseph, Bobby, Samar, Nasirsahib, Qasim and a few others
from Bombay too.
Khwaab Dekha Karo (Do dream)…
|
| |
|
|
|